Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. To get the free app, enter your mobile phone number. He died in Kent on June 9, In later years, the pressure of serial writing, editorial duties, lectures, and social commitments led to his separation from Catherine Hogarth after twenty-three years of marriage. It also hastened his death at the age of fifty-eight, when he was characteristically engaged in a multitude of work.
The title Great Expectations refers to the 'Great Expectations' Pip has of coming into his benefactor's property upon his disclosure to him and achieving his intended role as a gentleman at that time.
Great Expectations is a bildungsroman, a novel depicting growth and personal development, in this case, of Pip. Some of the major themes of Great Expectations are crime, social class, empire and ambition. From an early age, Pip feels guilt; he is also afraid that someone will find out about his crime and arrest him.
The theme of crime comes in to even greater effect when Pip discovers that his benefactor is in fact a convict. Pip has an internal struggle with his conscience throughout the book. Great Expectations explores the different social classes of the Georgian era. Throughout the book, Pip becomes involved with a broad range of classes, from criminals like Magwitch to the extremely rich like Miss Havisham.
Pip has great ambition, as demonstrated constantly in the book. Read more Read less.
Great Expectations is written in three parts of nineteen or twenty chapters each (59 chapters in all). In the first part, the narrator and chief character Pip (Philip Pirrip) meets an escaped convict who terrifies him into stealing food and a file, to remove his leg iron.
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Law and Pinnington have put together an edition that takes into account what the contemporary and especially, the non-British reader needs in order to appreciate the novel.
All in all, this is an excellent edition. The editors provide essential information about Dickens's compositional as well as publishing practices, and they further support this background with a sampling of the lively contemporary dialogue about the text in the periodicals of the day.
They issues raised by the novel-namely class and language, and crime and punishment-are amply explored by pertinent historical documentation, including highly-charged autobiographical writing by Dickens himself that was not available to his contemporary readership.
Moreover, the introduction expertly guides the reader though the application of these materials in a creative and inviting manner. Law and Pinnington have gathered together an impressive array of contemporary documents to promote an informed reading of this classic text In particular, the maps and illustrations of the novel's various settings allow the non-expert to quickly gain insights which should lead to intriguing arguments about how the novel has worked-for its own time as well as our own.
I especially commend the editors for their resourceful choices related to the Victorian conception of what constitutes a true gentleman-itself perhaps the key question that helps to unlock the novel. Book Description Cambridge Literature is a series of literary texts edited for study in English-speaking classrooms. Grade 7 Up-A young man's burning desire to fulfill his "great expectations" of fame and fortune is presented in Charles Dickens's classic tale of love, madness, forgiveness, and redemption.
Simon Vance's masterful narration brings to life such diverse personalities as Miss Havisham, the old woman who was abandoned on her wedding day and is determined to wreak revenge through her beautiful adopted daughter Estella; Joe, Pip's lumbering and slow-witted, but emotionally wise and faithful friend; the mysterious Magwitch, a convict who turns out to be Pip's financial benefactor; and Pip, the boy who longs for a destiny greater than that of living out his days as a blacksmith's apprentice.
The companion ebook features automatic start-up, keyword searching, printable format, and table of contents. An exceptionally skilled rendering of this classic. All rights reserved. Chapter I. My father's family name being Pirrip, and my christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip.
So, I called myself Pip, and came to be called Pip. I give Pirrip as my father's family name, on the authority of his tombstone and my sister? Joe Gargery, who married the blacksmith. As I never saw my father or my mother, and never saw any likeness of either of them for their days were long before the days of photographsmy first fancies regarding what they were like, were unreasonably derived from their tombstones.
The shape of the letters on my father's, gave me an odd idea that he was a square, stout, dark man, with curly black hair. From the character and turn of the inscription, "Also Georgiana Wife of the Above," I drew a childish conclusion that my mother was freckled and sickly.
To five little stone lozenges, each about a foot and a half long, which were arranged in a neat row beside their grave, and were sacred to the memory of five little brothers of mine? I am indebted for a belief I religiously entertained that they had all been born on their backs with their hands in their trousers-pockets, and had never taken them out in this state of existence.
Ours was the marsh country, down by the river, within as the river wound, twenty miles of the sea. My first most vivid and broad impression of the identity of things, seems to me to have been gained on a memorable raw afternoon towards evening. At such a time I found out for certain, that this bleak place overgrown with nettles was the churchyard; and that Philip Pirrip, late of this parish, and also Georgiana wife of the above, were dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and Roger, infant children of the aforesaid, were also dead and buried; and that the dark flat wilderness beyond the churchyard, intersected with dykes and mounds and gates, with scattered cattle feeding on it, was the marshes; and that the low leaden line beyond was the river; and that the distant savage lair from which the wind was rushing, was the sea; and that the small bundle of shivers growing afraid of it all and beginning to cry, was Pip.
A man with no hat, and with broken shoes, and with an old rag tied round his head. A man who had been soaked in water, and smothered in mud, and lamed by stones, and cut by flints, and stung by nettles, and torn by briars; who limped, and shivered, and glared and growled; and whose teeth chattered in his head as he seized me by the chin.
Don't cut my throat, sir," I pleaded in terror. It begins with a mournful impression-the foggy marshes spreading drearily by the seaward Thames-and throughout recurs this effect of cold and damp and dreariness; in that kind Dickens never did anything so good No story in the first person was ever better told. In our opinion, Great Expectations is a work which proves that we may expect from Dickens a series of romances far exceeding in power and artistic skill the productions which have already given him such a preeminence among the novelists of the age.
Enrid by a cast of unforgettable characters, from the orphan Pip to the convict Magwitch and the bitter Miss Haversham. Great literature can pose problems for narrators. If the book is a classic, the pitfalls are that the listener has a preconceived notion of how the book should sound and, perhaps, how the characters themselves should sound.
It is, thus, heartening to listen to Michael Page's narration of Dickens's tale. He sheds new light on the text and shows off his collection of personalities and voices. Page twists his English accent so that the characters have their own unique inflections, laughs and resonance. His voice is slightly nasal but full.
He's exceptionally good at setting the tone of this rather wistful novel. And his marvelous diction and pacing make the story vibrant and interesting. This book is in Electronic Paperback Format.
If you view this book on any of the computer systems below, it will look like a book. Simple to run, no program to install. The simple easy to use interface is child tested at pre-school levels. Cambridge Literature is a series of literary texts edited for study by students aged in English-speaking classrooms. Read more. Customer reviews. How are ratings calculated? Customer images.
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Top reviews Most recent Top reviews. Top reviews from the United States. There was a problem filtering reviews right now. Verified Purchase. Oh, the beauty and the agony tears at me as I think about this stunning story. I took to Dickens when I was in high school in the 's and read several of his classics. I avoided reading books by Charles Dickens because I thought the old style of English would be too tough to work through and keep my interest.
Once again, this Kindle edition is rife with spelling, typos and grammatical errors that are not to be chalked up to artistic license.
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The tiny type in this edition is set in three columns, like a newspaper shrunken down to miniature. This book is a classic for a reason - Dickens' insight into the human mind and spirit is phenomenal. See all reviews. Top reviews from other countries. This is a terrible version of the book.
I have given this one star despite the fact that it does not even deserve that. Just like he did in A Christmas Carol, Charles Dickens emphasizes the importance of friends and family and the need to stay in touch with one's roots in the classic novel Great Expectations.
I enjoyed this but found my enthusiasm waning around the middle of the book. Customers who viewed this item also viewed. British Classics. Great Expectations.
Charles Dickens. David Copperfield. Jane Eyre. Charlotte Bronte. What other items do customers buy after viewing this item? Charles Dickens: The Complete Novels. Great Expectations Unabridged with the original illustrations by Charles Green. Pride and Prejudice Dover Thrift Editions. Edith Hamilton.
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Notes: Pip refers to a parable in St. Luke's gospel Luke Magwitch's Christian name mentioned only six times in the novel is Abel. In the book of Genesis Adam has two sons, Cain and Abel. Like the biblical Abel, Magwitch keeps sheep; like Abel, whom Cain murders, Magwitch is the victim of someone close to him.
Abel Magwitch is one of Dickens' greatest inventions in this novel - he leaps out at the reader at the start, haunts Pip as he grows up, and returns to explode his illusions. He is intimately linked with other characters in the novel, and does not realize this himself.
Dickens uses Magwitch and his daughter, Estella, to show that social class is an artificial creation of man, and that we are all equal in truth and in the sight of God.
Magwitch is thematically linked with Estella from the start. Pip's horror of Magwitch is often expressed as a fear of what Estella would think if he knew Pip had helped him. Repeatedly, convicts, the courts or reminders of Magwitch appear in scenes in which Estella is present. Magwitch is also contrasted with Miss Havisham. Pip supposes her to be his benefactress and hopes that she is since Estella may also be included in her design when in reality his money comes from Magwitch. The connections among the characters begin before the start of the narrative.
Compeyson, a "gentleman" in terms of social class befriends Miss Havisham's brother, Arthur, and later takes on Magwitch as his helper.
When the Havishams disinherit Arthur, Compeyson helps him be revenged - although married, he poses as a suitor, and jilts Miss Havisham on her wedding day. Soon after, he is arrested for his various frauds, along with Magwitch, whom he blames for allegedly leading him into crime. The reverse is the truth, but Compeyson is believed because of his smooth manners.
When Magwitch's common-law wife, Molly, kills a rival and is acquitted through the skill of her lawyer, Mr. Jaggers, she is persuaded to give up her child for adoption, as another client of his, Miss Havisham, wants to adopt a baby girl.
Great Expectations is a novel by Charles Dickens. It was first published in serial form in the publication All the Year Round from 1 December to August It has been adapted for stage and screen over times. Great Expectations is the story of the orphan Pip, writing about his life (and attempting to become a gentleman along the way).Reviews: K. The study examined if there are differences in romantic expectations and commitment between men and women in dating and cohabitating relationships. The sample comprised young adults dating. Choosing the aestheticsandlasercenter.com as your dating site, you will have the opportunity to find your potential partner in Fountain Square, Carmel, Old Northside, Irvington, Broad Ripple, Zionsville, Speedway, Meridian Kessler, Geist, etc. We are here to help you identify the type of people you like without spending any amount of money.
Magwitch, now convicted, is told that the child was born dead. At the start of the novel, Magwitch escapes from the hulks old warships used as prisons but finds that Compeyson has escaped, too.
He lets himself be caught in order to return his enemy to prison. He threatens Pip, he does him no harm; when recaptured he saves Pip from trouble by admitting to the theft of some food from the forge. As soon as he has any money to give, he sends it to Pip in the village - years later Pip overhears a convict on the roof of a coach tell how he delivered this money. For attempting escape, Magwitch is transported to Australia.
When he has served his time he can make a new life there, but if he returns to England, he faces the death sentence.
In fact, this did not happen at the time in which the novel is set - the offence [returning from transport] was on the statute books untilbut the last hanging of a returned transport took place in The reader learns this later from Magwitch himself Chapter He farms sheep, lives aply and saves his money.
When he has saved a fair amount he communicates with Mr. Jaggers, who acts as his agent and becomes Pip's guardian and adviser. Pip assumes that Miss Havisham is the source of his wealth. Jaggers sees this but will not tell Pip the truth, as it helps him conceal Jaggers' real identity. In time, Magwitch returns, as he is desperate to see how his "boy" has done. He likes what he sees and does not notice Pip's initial disgust.
He rather admires Pip's snobbery.
In England, Magwitch goes under the alias of Provis, posing as Pip's uncle - Jaggers insists that Pip does not tell him the truth, as to know this would make him, a lawyer, an accessory to Magwitch's crime of returning. Pip gradually becomes fond of Magwitch, as he tries to smuggle him out of London.
They are being watd by Compeyson who is terrified of Magwitch, and betrayed as they are about to board a steamer for Hamburg. In the struggle that follows Compeyson is drowned. Magwitch is found guilty of returning, and sentenced to death, but is dying anyway. Pip nurses him and comes to love him; before he dies, Pip tells Magwitch that his daughter is alive, a great lady and that he Pip loves her. Magwitch is a criminal but he is led into crime by Compeyson.
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The snobbish Pip would rather his fortune came from Miss Havisham's unearned inheritance than Magwitch's hard work in Australia. Dickens shows, in the character of Magwitch, how many so-called criminals are basically good people, how the crimes of a "gentleman" like Compeyson a swindler are far more harmful in their consequences, and how the legal system enables the rich to oppress the poor.
If you read the novel this may help you recall or revise its content.
If you have not yet read the novel, this summary may spoil your pleasure by revealing what the author hides until the end - do not read it unless you are ready for this!
Great Expectations is written in three parts of nineteen or twenty chapters each 59 chapters in all. In the first part, the narrator and chief character Pip Philip Pirrip meets an escaped convict who terrifies him into stealing food and a file, to remove his leg iron.
Pip, an orphan lives in the Kent marshes with his bullying sister and her husband, Joe Gargery a gentle giant of a blacksmith. Pip takes food to the convict, but when he learns of another convict who has escaped, the first convict makes sure both are recaptured. We learn much later that the convict was transported to Australia.
Later Pip is invited to the house of Miss Havisham, heiress to a brewery. She was jilted on her wedding day, but still wears her wedding dress, while the wedding feast has been left in her house. She lives with her ward, Estella, whose background is a mystery, but who has been brought up as a member of high society, and taught by Miss Havisham to be cruel to men.
Pip loves Estella and is ashamed at his common origin. Pip's sister hopes that Miss Havisham will favour Pip with some of her fortune, but when he is fourteen Pip learns that he is to be Joe's apprentice.
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Pip is unhappy at Joe's forge and asks for time off to visit Miss Havisham on her birthday. Joe is attacked while Pip is out: the weapon is the convict's leg-iron. A village girl, Biddy, becomes Mrs.
Joe's nurse and housekeeper at the forge. Meanwhile Pip receives astonishing news from a lawyer, Mr. Jaggers: he has a secret benefactor who is to pay for him to be brought up as a gentleman in London. Pip thinks Miss Havisham is the source of his fortune. She allows him to think so. In London, Pip becomes a snob. He comes to know Estella better and becomes her closest friend.
She marries a wealthy but stupid man called Bentley Drummle. She aims to make Drummle miserable, but he is too brutal for this, and it is she who suffers more. In London, Pip befriends Herbert, with whom he shares rooms and whom he met years before at Miss Havisham's house. One day Pip receives a visit from the convict he met years before, Abel Magwitch, who has prospered in sheep farming but has returned illegally from Australia.
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He is the source of Pip's Great Expectations. The last part of the novel is like a thriller. Pip tries to get Magwitch out of England. He discovers that a man called Compeyson led Magwitch into crime originally. Compeyson was also the friend of Miss Havisham's brother, disinherited by his parents for his way of life. When Magwitch and Compeyson were on trial for various crimes Compeyson claimed to have been led astray by Magwitch who received a much harsher sentence. Later, though, Compeyson was jailed, and it was him whom Magwitch stopped from escaping years before on the marshes.
Compeyson betrays Magwitch to the authorities. He is caught boarding a steamer for Hamburg, but jumps into the Thames, taking with him Compeyson, who is drowned.
Magwitch is sentenced to death but dies first. Pip who was at first revolted by Magwitch grows to love him. With Herbert's help, Pip completes Magwitch's story. Jaggers' housekeeper, Molly, was once Magwitch's lover, and pregnant with his child. She had a rival, whom she murdered, was defended by Jaggers, and acquitted.
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She gave up her child to Miss Havisham, who had asked Jaggers to find her a baby girl, and Magwitch was led to believe the child was dead. Now Pip tells him that the child lived, grew up to be beautiful and loved by him - it is Estella. The authorities seize Magwitch's fortune. Pip is arrested for debt and cats fever. Joe comes to London, pays off his debts and nurses him back to health. Pip thinks of marrying Biddy and going back to the forge - but he finds she is already married, to Joe.
Miss Havisham has died, but before her death Pip has asked her to help set up Herbert in business. Now he becomes a partner in the business and goes abroad. Years later, he returns to Miss Havisham's house and meets Estella once more. The novel ends ambiguously with a hint that Pip and Estella will never be parted again. This is a very important part of your work. Try to make comparisons within texts compare one part with another and between texts compare one text with another.
Don't be confused by compare and contrast. The problem is that the first word is used in two senses - first, to make a comparison put two things together to see similarity or difference or anything and, second, to show similarity.
This second sense is opposed to contrast, which implies showing the difference between things. In a way, therefore, contrast is redundant - if you make a comparison this includes bringing out contrasts where these are to be found!
It does mean looking broadly at things themes, relationships, techniques in both and seeing how far they are similar or different. It also does not mean stating the obvious say that one was written in the 20th century while the other is older. A good comparison will show how two authors have something in common a theme such as personal independence, say but develop it in different ways.
Or, if you prefer, they are also about being in some way dependentand trying to change this. The bullet points are to help you meet the criteria in comparing texts which you have studied in order to look at relationships. Explain the relationship sdepicted in these texts, which you have studied. What is the nature of each relationship and its importance to the text?
Make comparisons among the various relationships - for example look for relationships which change, or which the author wants the reader to approve or disapprove.
Which of these accounts or depictions of relationships do you like most and why? Note that a novel will allow a more complex structure including, say, change over time than may be possible in a poem or short story.
Comment on how the form of the writing affects the reader's or audience's viewpoint. How does the author if at all lead the reader to a particular judgement of a relationship? Often a powerful image or symbol expresses a relationship - try to find examples of this in the texts you have studied.
Comment on any poetic or figurative effects which you find interesting or which you like. Finally - make a judgement Say if, how far and whyyou liked the texts you have studied. This assessment is marked for reading only, but may be carried out by a speaking and listening task. Use the scroll bars usually on the right-hand side of youe browser window to move up and down the page. You can hold down your left mouse button with the pointer over the up or down arrows and the window will scroll up or down.
Alternatively, you can hold down your left mouse button while your pointer is over the up-down slider control which will appear to pull the page up or down. All pages in this tutorial have hyperlinks for navigation, at frequent intervals.